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Office Space UPD



Office Space was filmed in Dallas and Austin, Texas. It is based on Judge's Milton cartoon series and was his first foray into live-action filmmaking and his second full-length motion picture release, following Beavis and Butt-Head Do America. The film's sympathetic depiction of ordinary information technology workers garnered a cult following within that field, but it also addresses themes familiar to white-collar employees and the workforce in general. It was a box office disappointment, making $12.2 million on a $10 million production budget; however, after repeated airings on Comedy Central, it sold well on home video, and has become a cult film.[6]




Office Space



Several aspects of the film have become Internet memes. A scene in which the three main characters systematically destroy a dysfunctional printer has been widely parodied. Swingline introduced a red stapler to its product line after the Milton character used one painted that color in the film. Judge's 2009 film Extract is also set in an office and was intended as a companion piece to Office Space.


Peter Gibbons is a frustrated and unmotivated programmer who works at the Texas-based Initech software company. Unable to stand up to his overcritical girlfriend, Anne, he is in love with local waitress Joanna but is afraid to speak to her. He is friends with co-workers Samir Nagheenanajar (who loathes that no one can ever pronounce his last name correctly) and Michael Bolton (who loathes being associated with the famous singer of the same name). Other co-workers are Milton Waddams, a meek collator who is mostly ignored by the rest of the office except Peter; and Tom Smykowski, a jaded product manager who is routinely scared of being fired. The staff suffers under top-heavy, callous management, especially from Initech's vice president Bill Lumbergh, whom Peter hates and avoids confronting. Lumbergh takes obvious delight in micromanaging all his staff in a drab monotone, particularly Milton and Peter. He makes Milton move his desk constantly, takes his beloved red stapler, and assigns him humiliating tasks, whilst making Peter work almost every weekend.


Peter eventually shows up to work and casually disregards office protocol, violating the dress code and messily removing a cubicle wall blocking his view out the window. Impressed by Peter's frank insights into Initech's problems, the Bobs promote him despite Lumbergh's misgivings; however, Michael and Samir are both fired. Milton is also expected to be terminated, but it is learned that he was laid off five years ago but neither Milton nor the accounting department was notified. To avoid confrontation, the Bobs and Lumbergh tell accounting to cease Milton's salary payments without telling him. Milton is subjected to further mistreatment, including the confiscation of his stapler and the constant relocating of his desk, eventually down to the basement.


On Monday, Peter discovers that a bug in Michael's code has caused the virus to steal over $300,000 across the weekend, which guarantees they will be caught. The trio tries to devise a plan to launder the money to no avail. Peter decides to accept full responsibility for the crime. He writes a confession and slips it under Lumbergh's office door after hours, along with traveler's checks for the stolen money. Peter then learns that the 'Lumbergh' who Joanna slept with was Ron Lumbergh, an ex-colleague unrelated to Bill Lumbergh. He meets Joanna, who has started a new job at another restaurant. He apologizes to her, and they reconcile.


Milton, having found and taken the traveler's checks while searching for his stapler in Lumbergh's office, uses the money to vacation in Mexico, where he threatens to put strychnine in the resort's guacamole after being neglected by staff.


Office Space originated in the series of three animated Milton short films that Judge created about an office worker by that name. They first aired on Liquid Television and on Saturday Night Live.[7] The inspiration came from a temp job which he had that involved alphabetizing purchase orders[8] and another job as an engineer for Parallax Graphics for three months in the San Francisco Bay Area during the 1980s,[9] "just in the heart of Silicon Valley and in the middle of that overachiever yuppie thing, it was just awful."[10]


The setting of the film reflects a prevailing trend that Judge observed in the United States. "It seems like every city now has these identical office parks with identical adjoining chain restaurants", he said in an interview.[7] "There were a lot of people who wanted me to set this movie in Wall Street, or like the movie Brazil, but I wanted it very unglamorous, the kind of bleak work situation like I was in".[8]


In addition, Fox did not like the gangsta rap music used in the film.[13] Rothman told him he had to take it out, and Judge said after production he would do so if the next focus group also disliked it. A young man in that focus group said the fact that the characters worked in an office but listened to gangsta rap was one of the things he liked about the movie, and Rothman relented.[11]


The scene where Peter, Michael and Samir take their office printer out into a field and batter it to pieces was inspired by Judge's experience with his own printer while writing Beavis and Butt-head Do America. He told his cowriter Joe Stillman that he was so frustrated by it that when he was done with the script he planned to take it out into a field and destroy it while videotaping the process. Suhrstedt says the whole sequence was largely improvised, but Naidu adds that they were trying to do it in a way that evoked how the Mafia would do it to someone it wanted to punish or kill; Livingston thus played his part like the "don", circling behind Naidu and Herman while they struck the blows with bat, feet and fists. Years afterward, Naidu says, he met some actual mafiosi in New York who told him that they were huge fans of the film, and the scene was "authentic".[11]


Judge hated the onesheet poster that the studio created for Office Space, which depicted an office worker completely covered in Post-it notes. He said, "People were like, 'What is this? A big bird? A mummy? A beekeeper?' And the tagline 'Work Sucks'? It looked like an Office Depot ad. I just hated it. I hated the trailers, too and the TV ads especially".[13] McGinley, too, felt it looked like Big Bird from the children's series Sesame Street, and that he would not go to see such a film. For the home release Judge was upset that the same image was used, albeit with Milton peeking over the man from behind.[11]


On the review aggregator website Rotten Tomatoes, the film has an approval rating of 80% based on 102 reviews and an average rating of 6.84/10. The site's critical consensus reads, "Mike Judge lampoons the office grind with its inspired mix of sharp dialogue and witty one-liners."[19] Metacritic gives the film a weighted average score of 68 out of 100 based on reviews from 31 critics, indicating "generally favorable reviews".[20] Audiences polled by CinemaScore during opening weekend gave the film an average grade of "C+" on a scale ranging from A+ to F.[21]


Since then, Livingston has been approached by college students and office workers. He said, "I get a lot of people who say, 'I quit my job because of you.' That's kind of a heavy load to carry."[29] Livingston says that people tell him watching Office Space made them feel better, which he still appreciates.[11]


In a 2017 profile of Judge, New York Times Magazine writer Willy Staley observed that the film has been compared to Herman Melville's short story "Bartleby, the Scrivener", in which a lawyer's clerk, like Peter, shows up at the office one day but declines all work, telling his boss "I would prefer not to". Staley's own high school English teacher, he recalled, brought up Office Space in class to get students to appreciate how tedious Franz Kafka's work at an insurance company was. "It's such a brutal portrayal of workplace misery that its most useful points of comparison date back to when office culture was first unleashed on humanity."[12]


Before the 2009 Austin reunion screening a printer was destroyed outside the theater, in reference to the scene in the film during which Peter, Michael, and Samir destroy the dysfunctional printer on the latter two's final day at Initech [40] That scene has frequently been parodied; often by amateurs, using a similar electronic device, in an open space somewhere, emulating the original's character blocking, camera angles and moves, sound effects and use of slow motion, all set to Geto Boys' "Still".[41]


Shortly after the release of Office Space, Judge, despite his disappointment at the movie's lackluster box office, began writing the script for Extract, which he describes as a companion piece. The studio later asked him to put it aside to work on Idiocracy, which it believed would be more commercial. After that film, like Office Space, failed at the box office but became a cult favorite, Judge returned to Extract and it was released in 2009. It similarly makes light of workplace dysfunction, but from the perspective of a manager rather than a worker.[17]


Pinterest was one of the first major tech companies in San Francisco to pay millions to cut office space amid the pandemic, paying almost $90 million to terminate an office lease at 88 Bluxome. The company had planned to move some operations to the new building prior to the pandemic, but after the company pulled out and other legal battles ensued, the building has yet to break ground.


I was contacted within a very short time of my inquiry by the broker, and I have now actually signed up for an office in that building. Thanks to you and your site for the help in finding the right office for my new business


Recognized student organizations (RSOs) may apply for office space in the HUB-Robeson Center each year. RSOs must apply/reapply each year. The office space application period will open up every February and will be advertised on the President's ListServ, as well as throughout the HUB-Robeson Center. Space is not guaranteed from year to year. If your organization have any questions about the space allocation process, contact Mary Edgington at mge3@psu.edu or Jennifer Keen at jmp287@psu.edu 041b061a72


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